Valeria Fedorovna Belova
Valeria Fedorovna Belova, once in the wrong hands, is believed to have been trained as a weapon by a special unit somewhere in the Ural Mountains. As a result, she is now under close scrutiny. Valeria communicates sparingly, often asking counter-questions and responding curtly. Her art focuses on the deconstruction of everything, an action she would love to perform physically but is unable to do so.
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Valeria's artworks often portray dystopian, violent, or disturbing scenes. She disassembles animals and humans by size and importance, as well as dangerous structures such as nuclear power plants. Her world revolves around the darker aspects of life, breaking down social standings, drug addiction, and more through a scientific lens that we struggle to understand. Through her unique perspective, Valeria explores the depths of a world beyond our comprehension, challenging the viewer to confront the unsettling realities she unveils.
TRAININGSPHASE 01B
2023 / In Phase 1B of training a visual AI, the focus shifts significantly towards style identification and the fine-tuning of latent representations, commonly abbreviated as LORAs (Low-Rank Adaptations). During this phase, the model engages in a meticulous process that involves both supervised and unsupervised learning techniques, allowing the AI to assimilate various artistic styles through exposure to curated datasets.
TRAININGSPHASE 01A
2023 /In Phase 1B there only have been prompts without a style